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Tuesday, April 11, 2017

Lights, Camera, Action: Great Books Made into Movies

Lots of books have been made into movies, and for good reason: the original book was pretty great. A bunch of people thought the book was worth going to all the trouble and expense to make into a movie. Many of these movies have become classics in and of themselves.


The current special collection (Books in the Bin) in my little library on the curb are books made into great movies, which I have enjoyed both reading and watching lately. It's best to go back to the original source, isn't it? And there is added motivation for reading a thick book when you get the extra reward of watching a film version or two when you're done and your eyes are really tired of reading. Plus there's always popcorn.

Even if you have read the book or seen the movie in the past, it's fun to reread and then rewatch with the book fresh on your mind. All that work of picturing in your mind's eye the landscape, the faces, the architecture, the clothing, is done for you. You find yourself saying, Yes, this is how I saw him or her, the setting, the time, the relationships. Or not. You feel like an expert critic after reading the book. You engage your mind and make judgments. Did the film succeed in capturing the essence of the story and characters?  Which character is most accurate? Which is least? Which actors would I have chosen to play the parts? Did the film communicate the author's sentiment, or did the film miss it or change it? How many films or series versions has this book been made into?

Here are the books in the bin:

The Lion, the Witch, and the Wardrobe, C. S. Lewis
The Black Stallion, Walter Farley
The Giver, Lois Lowry
Anne Franke: The Diary of a Young Girl
Daddy Long-Legs, Jean Webster
Emil and the Detectives, Erich Kastner
The Yearling, Rawlings
Pygmalion, George Bernard Shaw (My Fair Lady)
Jane Eyre, Charlotte Bronte
Rebecca, Daphne du Maurier
A Tree Grows in Brooklyn, Betty Smith
Cry the Beloved Country, Alan Paton
Life of Pi, Yann Martel
The Hobbit, J. R. R. Tolkien
The Grapes of Wrath, John Steinbeck
Great Expectations, Charles Dickens
One Hundred and One Dalmations, Dodie Smith
To Kill a Mockingbird, Harper Lee
Cheaper by the Dozen, Gilbreth

And some on my to-read pile:


Ben Hur, Lew Wallace
Anna and King of Siam, Margaret Landon
The Bridge Over the River Kwai, Pierre Boulle
Doctor Zhivago, Boris Pasternak
One Flew Over the Cuckoo's Nest, Ken Kesey
The Monuments Men, Robert M. Edsel

Enjoy reading and then watching!

Charlotte Bronte's Jane Eyre

This may be my favorite novel of all. I don't think of it as gothic or overly melodramatic, as it is usually characterized these days. It's symbolic of real life to me. I have read it many times and love it more each time. I just love Jane, who I think is really the author, Charlotte Bronte (1816-1855), or who Charlotte knew was the right person to be. I love the words, I love the tone, I love the sentiment, I love the humility, I love the humanness, I love the faith, I love the strength, I love the good in this book. Characters, story, time period, writing, I love it all. I love it from the first nuanced line, “There was no possibility of taking a walk that day.”. . . to the very last three words in the book: “Come Lord Jesus.”

To begin with, we have Jane, the plainest name, symbolic of everyman (or everywoman). We have Eyre, similar to the word error. Charlotte read Dickens and Trollope and perhaps noted their meaningful name choices for their characters. I think she also chose her character names for good reason. Jane Eyre is about our frail, erring, but striving human nature, being meek and lowly and true and grateful and real and submissive to God, come what may. She tries to be longsuffering, sacrificing, forgiving, loving, in fact charitable in all the most important, Christ-like ways. And yet she is still led into error just as we all are. Edward Fairfax Rochester? Fair facts? As in truth, good and evil, right and wrong, God.

Image result for charlotte bronteI always have a point in the book when I doubt Rochester, which I suppose Charlotte means us to do. He comes across as such a heartless flirt. But then as the story goes on we become more charitable, as in more patient and understanding of this abused, wildly passionate, deep, brooding, suffering man, and we, like Jane, begin to pity him to our heart’s core. His nobility wins out in the intense heat of great trial, and we see he is all that Jane percieved he was underneath his rough, casual exterior.

The crux of this story is that this meek young intelligent person who was slighted and treated cruelly and unjustly for several years  of her young life, who finally found a home and love and purpose and interest and joy, gave it all up –everything– in her own intense heat of great trial; and she gave it all up for truth, righteousness, God. It's a fiction, yes, and overdramatic, people say. But such temptations and dilemmas and the principles and choices behind them are very real and applicable to anyone's life, always have been, always will be.

Very few people in this world today would even imagine this kind of sacrifice. To give up everything for God? To walk—no, run—away from every earthly connection, comfort, convenience, sustenance, position, institution, livelihood, human affection, human belonging, human desire— because of the undeniable existence of rightness? And yet she did that. Come what may. Even though she was innocent when it came to wanting to marry Rochester, she admits she erred in idolizing him.  Would she stay with a man she loved, even wrongly idolized, who she suddenly learned was technically married, legally and morally tethered to another woman? No, she would not, not for any other reason than it was wrong in the sight of God and man. There I plant my foot, she said, and besides walking away from the outward evil she also learned to relinquish the false idol in her heart. Isn't this what God requires of us?

Today most people do the exact opposite: compromise, rationalize, essentially abandon God and truth and righteousness to keep hold of every earthly connection, comfort, convenience, sustenance, position, institution, livelihood, human tie, human belonging, human desire. We see this in the concessions people make, in the lies people invent, in the games people play, in the “rights” people demand, in the money and positions people go after, in the evils people propagate, in short, in the defining lusts of our times. 

I never tire of reading and learning about the remarkable Bronte family. I’m so grateful to my husband Stephen for driving me on that wild goose chase through the winding hills and vales of  the English countryside to find Charlotte Bronte’s home on a business trip to England. Several times I suggested we give up the search. But he wouldn’t have it. We arrived just minutes before the museum was to close, and the nice lady let us in. It was like stepping back in time. Haworth probably hasn't changed much since Charlotte's time. I remember the calm, sad, enduring feel of the parsonage house, the Bronte children’s tiny handmade, handwritten books, Charlotte’s tiny-waisted dress and ancient, slim, thin-fingered gloves, like a fairy’s, like a spirit's.

Some quotes:

Helen Burns: “Hush, Jane! You think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world , and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, and recognise our innocence (if innocent we be . . . ), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death so certain an entrance to happiness . . . ?”

Jane: “Distrust it, sir; it is not a true angel.”

Janie: “That sounds a dangerous maxim, sir; because one can see at once that it is liable to abuse.’

“Sir,” I answered., “a wanderer’s repose or a sinner’s reformation should never depend on a fellow- creature. Men and women die; philosophers falter in wisdom, and Christians in goodness: if any one you know has suffered and erred, let him look higher than his equals for strength to amend and solace to heal.” 

Jane:“Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their [the laws and principles] rigour; stringent are they, inviolate they shall be. If at my individual convenience I break them, what would be their worth? They have a worth–so I have always believed; and if I cannot believe it now, ti is because I am insane–quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot.
    I did.”

Me: The above passage is hardly understood today, either that or it is twisted to support the popular sophistries. Now those inviolate certainties, laws, principles, opinions, determinations, she is referring to here are gone from us. Our moral foundation is ground to dust. How do people choose the right when there is no right held up to be seen, when they haven’t been taught it, when evil principles, laws, opinions, determinations  have replaced righteous ones? This development probably never even crossed her mind.

Jane: “It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate; and when our energies seem to demand a sustenance they cannot get–when our will strains after a path we may not follow–we need neither starve from inanition, nor stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden food it longed to taste–and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it.”

St. John: “Amen; even so come, Lord Jesus.” 

Janice Graham


P.S. And I love her other three novels too.